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The Wall

Griselda San Martin

At the juncture of San Diego, California; and Tijuana, Mexico, the border wall’s rusting steel bars plunge into the sand, extending 300 feet into the Pacific Ocean, and casting a long and conflicting shadow.

 

The Wall is a documentary project about Friendship Park, a stretch of the U.S.-Mexico border where families meet to share intimate moments through the metal fence that separates them.

 

Physical borders create symbolic boundaries that reinforce the rhetoric of “us versus them,” in which immigrants are seen as a threat to traditional narratives ingrained in various communities across America. The existence of these fences illustrates anti-immigrant sentiment, legitimizing exclusionary practices and justifying harsh government action. Once erected, they become enduring, permanent features of the geopolitical landscape and a powerful, aggressive reminder to immigrants that they don’t belong.

 

By calling attention to the human interactions at Friendship Park, where families visit and speak with one another through a metal fence, Griselda San Martin attempts to neutralize what this wall was built to create —separation.

 

San Martin’s goal is to transform the discourse of border security into a conversation about immigrant visibility, addressing audiences on both sides of the wall by challenging popular assumptions, or by reminding them that they are seen, heard, and that they matter. She believes this work is especially meaningful now, given the current socio-political global context.

 

United Photo Industries is proud to announce our fourth collaboration with the NYC Parks Department and the DUMBO Business Improvement District to display photographer Griselda San Martin’s very powerful project on the already existing wall that divides the United States and Mexico, which will be exhibited as a large scale photographic public art exhibition in DUMBO Brooklyn at the foot of the Brooklyn Bridge pedestrian entrance.

About Griselda San Martin

Griselda San Martin is a Spanish documentary photographer currently based in New York City. She is a graduate of the Documentary Photography and Photojournalism program at the International Center of Photography (ICP) and holds a masters in Journalism from the University of Colorado Boulder. Throughout the past six years, San Martin has documented the U.S.-Mexico border, focusing on the issues of immigration, deportation, inequality and human rights abuses through an optic of identity and belonging. Her current focus is on the growing Hispanic community in the United States and the sociopolitical implications of reactionary narratives depicting immigrants and ethnic minorities. Her work explores the transnational life and practices that link individuals, families and social networks across political boundaries. San Martin’s work challenges popular assumptions about immigrants and offers an alternative perspective ― a marginalized community demonstrating resilience and resourcefulness amidst trying situations. Her photography and video projects have been exhibited internationally and featured in The Washington Post, The New York Times, The New Republic, and California Sunday Magazine as well as other publications.

 

Griselda San Martin was the recipient of the 2018 FENCE Jury’s Choice Prize — a $5,000 Grant and a featured exhibition at Photoville 2018.

photos by

Griselda San Martin

Exhibition Dates

August 21 – January 31, 2019

Located at

Washington Street in DUMBO, Brooklyn, between Prospect & York St.

presented by

United Photo Industries (UPI), in partnership with the DUMBO Business Improvement District and the New York City Department of Transportation

Category
Public Art
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